In Book VII Dostoyevsky focuses on Aleksey’s journey of discovery following the death of Elder Zosima. As is expected Aleksey takes the death of the Elder as a major personal loss. Aleksey’s tumult is amplified by the strong denunciations of the Elder delivered by the other monastic brethren, specifically the condemnations dispensed by father Ferapont and his awkward disciple from Obdorsk. Ultimately, it seems that the trauma of the Elder’s death caused Aleksey to question his continued stay in the monastery, driving him to leave in favor of the secular world.
After leaving the gates of his sheltered existence with a crooked smile but determined steps, Aleksey seems to embrace the activities that would have led to his personal embarrassment only a little while earlier. Through his discussions with Rakitin and Agrafena however, it is clear that Aleksey holds on to his values bequeathed by the deceased Elder. It seems that the inevitability of secular fate rattles the newly freed Aleksey. As has been common in the novel thus far, the troubled Aleksey returns to his place of haven within the monastery.
Near the end of Book VII Elder Zosima visits Aleksey in a vision. In this vision the Elder disputes Aleksey’s belief that life is to be lived in perfect piety in order to achieve eternal salvation. Instead, the vision of the Elder espouses that life is to be lived, even if it is only one onion (or one good deed) that is acted upon in one’s life, it is often all that it is needed to appropriately judge character. This new doctrine influences Aleksey greatly. He seems to suddenly understand that there is more to life than simply worrying over the perceived goodness of one’s actions.
In many respects I find this Book to be reminiscent of a coming-of-age story. It begins with the Aleksey’s sheltered existence in the monastery, peaks with his disillusionment and confusion at Agrafena Alexsandrovna’s, and culminates in his new found love for life at the end of the vision of the Elder. I find that this progression was made all the more evident by Aleksey’s apparent loss of love for God’s world at the death of the Elder, but renewed faith following the culminating vision of Book VII.
As important as Aleksey’s new philosophy toward life is to him, it might ultimately be what pushes him further to fulfilling his Karamazov name. Throughout the text we have heard many a character refer to the inevitable fate of all who bear the Karamazov name. Given Aleksey’s apparent trajectory toward a less directed monastic life and more secular-loving life, he might fall astray from the path he had earlier set. This is of course conjecture, and will need to be supported as the text continues. I still hold however that the most telling aspect of this Book is Aleksey’s abandonment of the monastery and embracement of the earth. It seems that Aleksey may finally begin to operate on the course that the Elder set for him…Out into the secular world.
I don't think that Aleksey is on a trajectory to a more secular-loving life. First off, I do not think that Aleksey's leaving the monastery is about abandoning God. The Elder's instruction to Aleksey to leave the monastery is missional. It is with the purpose of reaching out to more people with love. Also, I do not think that embracing the earth is about living a secular life. It is about understanding that all of creation shows the beauty of the cross-- all of creation, together, united, is saying to humans, “I love you, Love Jesus” and the action of embracing the earth is loving this love.
ReplyDeleteFurthermore, I think Aleksey's faith experiences vast growth in this book. This is especially evident on the last page (469) when he is described as having fallen to the earth a feeble youth and rising as a resolute warrior. His kissing the earth and weeping is exactly what the Elder Zosima says to do on page 417. “Love to bow down to the earth and kiss her. Kiss the earth and untiringly, insatiably, love, love all creatures, love all things, seek this ecstasy and this frenzy. Moisten the earth with the tears of your joy and love those tears of yours. As for this frenzy, be not ashamed of it, cherish it, for it is the gift of God, a great gift that is vouchsafed not to the many, but to the chosen.” On page 469 'drench the earth with the tears of your joy and love those tears of yours' resounds in Aleksey's soul. Also, on page 469 it says that Aleksey is not ashamed of this frenzy, which is a direct reference to the frenzy that is described as a gift of God on page 417. Therefore, on page 469, Aleksey's weeping and kissing the earth is the outward manifestation of an inward change-- growing in his faith. The Elder's idea about loving everything and seeing God's love in everything is something that finally clicks for Aleksey-- he now understands not only with his head, but also with his heart.
The question of whether falling down and kissing the earth is a religious or secular task is an interesting one--and for Dostoevsky, as well as the Russian context in general, the ultimate answer may be comprehensive and a bit ambiguous (since the history of Russian Christianity is intricately intermingled with a certain amount of pagan worship, and falling to the ground and watering it with tears has a tremendously folksy, even pagan feel to it). But I can also very much see the vigorous article you give here, Natalie, for it being a Christian action. All in all, it's an intriguing question to ponder...
DeleteIsn't it odd that the Elder would push Alyosha into the secular world and away from the monastery? Now that the Elder is dead, Alyosha has no choice, because of his great respect of Zosima, but to leave the monastery. Perhaps Zosima realized that the monastery would go in a different direction after his death and Alyosha would be better off out in the world or he may even have recognized the Karamazov character deep inside Alyosha and sent him away for the benefit of those remaining at the monastery. When we see Alyosha, in this chapter, going directly away from his "angelic" ways, quoting his brother, and claiming he has given his onion, I can only imagine that Alyosha is playing towards the latter.
ReplyDeleteI don't think Zosima's death has had Alytosha question his stay at the monastery. I think Alyosha had already resigned himself of the fact that he would be leaving. I think this, because of Zosima's insistance and through his relationship and conversations with Lise.
ReplyDeleteBen, you bring up an excellent question; how will Alyosha continue without the guidance of father Zosima. Although it can be argued that Zosima's teachings are there for Alyosha it still seems to me that he is overly dependent on Zosima's advice. Even after death Zosima had to visit Alyosha and act as a guide. It will be interesting to see if the curse of the "Karamozov name" will eventually catch up to Alyosha, will Zosima's lessons be strong enough to protect Alyosha, or will Zosima keep having to come down and enlighten Alyosha.
ReplyDeleteI do like the idea of the coming of age story in this book. I really do think we see Alyosha grow up in this chapter. I don't think the move into the secular world will mean Alyosha has to follow the Karamazov mold.
ReplyDeleteI agree that this seems to be a little bit like a coming-of-age story. Aleskey must truly face the world now, taking with him the lessons he has learned from Elder Zosima. However, I disagree with you that it is the trauma of the Elder's death that caused Alyosha to leave the monastery. The Elder had already expressed his wish that Alyosha enter the world away from the monastic life, that he did not see Alyosha as a monk. I believe Alyosha was honoring the Elder's wishes in his death by leaving the monastery.
ReplyDeleteI'm wondering if it's not that Alyosha is heading for a more secular life, but that he is just gaining life experiences out side of his religious life. It almost seems like one of those stories where he has his faith tested but, as with Grushinka, he remains steadfast. In that way it does seem like a coming of age story. I suppose we'll see if there are more instances of this or if this episode was it. I suppose we will see.
ReplyDeleteThere's no doubt that Bk. VII has the feel of a coming of age story (or at least a segment of a coming-of-age story that captures the protagonist right at the culminating turning point of his life)....
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